The Iraq Museum is one of the best archaeological museums in the world, containing the material evidence for the development of civilised human society from the very beginning of its history. The museum enshrines Iraq as the cradle of civilisation, the source of writing and statehood. Their collection covers over 5,000 years of Mesopotamian history.
The Lamassu is a celestial being from ancient Mesopotamian religion bearing the head of a man, the wings of an eagle, and the hulking body of a bull, sometimes with the horns and the ears of a bull. The Lamassu combines the strength of a bull, the freedom of an eagle, and the intelligence of a human being.
An unparalleled monument to the ageless art of story-telling, the tales of the One Thousand and One Nights have, for many centuries, titillated the imaginations of generations the world over. With her hair flowing down her back, her mouth curved into just the hint of a smile, her bronze hands gesturing gracefully, she spins tales of thieves and sailors and magic lamps for King Shahryar, who reclines in front of her.
Al-Kadhimiya Mosque is a shrine located in the northern neighbourhood of Kadhimiya district in Baghdad on the west bank of river Tigris. It contains the tombs of the seventh Shia’i Imam Musa Al-Kadhim and the ninth Shia’i Imam Muhammad al-Jawad. Also buried within this mosque are the famous historical scholars, Shaikh Mufid and Shaikh Nasir ad-Dīn aṭ-Ṭusi. Due to its special geographical location, Kadhimiya has been considered important and its history is thought to date back before Jesus Christ. This place was then known as Shoneezi, an Arab name meaning the Black Grain.
The mausoleum of Abu Hanifa is a masterpiece of Islamic architecture, with beautiful ornaments engraved on bricks and beautiful calligraphy of Koranic verses on blue tiles.
Tribal wall painting is an age-old tradition. The personal experiences of the artists and their interactions with the nature are the biggest influence in these art forms. Khovar art was traditionally for decorating the marriage chamber of the bride and groom, and it usually depicts the animals and plants of neighbouring forests and valleys.
I was travelling to Ranchi from Kolkata. I saw traditional Bengali masks were being displayed at the departure terminal of the Kolkata airport. It’s a nice way to promote the ancient craft of mask-making in Bengal. Throughout the world, masks are used for their expressive power as a feature of masked performance — both ritually and in various theatre traditions.