The city of Babylon, whose ruins are located in present-day Iraq around 100 kilometres south-west of Baghdad, was founded 4000 years ago as a small port town on the river Euphrates. It became a major military power under Hammurabi, who ruled from 1792 to 1750 BCE. We visited the heritage site yesterday. The summer is extremely hot in Iraq with temperature hovering around 50 degrees Celsius and still we went ahead with our plan.
The Warka Vase, a.k.a. the Uruk Vase, a carved alabaster stone vessel, is one of the earliest surviving works of narrative relief sculpture. It was found in the temple complex of the Sumerian goddess Inanna in the ruins of the ancient city of Uruk, located in southern Iraq.
There was a section of the facade of the temple of Inanna at Uruk. A wall of baked bricks with buttresses and recesses. This wall was a section of the front facade the temple of the goddess Inanna in Warka, which was built by Karaindash, the Kassite king (1445-1427 BCE) and replaced the wall of mosaic which decorated the facade of the temple Warka since the Jamdat Nasir period.
Dolma is a family of stuffed vegetable dishes common in the Mediterranean cuisine. It slowly made a delicious journey from the shores of the Mediterranean Sea to the shores of the Bay of Bengal, where it got the exotic transformation.
Roasting small chunks of meat is a process dating back to antiquity. Evidence of hominin use of fire and cooking in the Middle East dates back as far as 790,000 years. In the end, it doesn’t really matter who invented kebab. What matters is that fire has touched meat, that the meat is good, and the company is even better.
In 1227 CE, the thirty-seventh Abbasid Caliph al-Mustansir Billah (reigned 1226-1242 CE) commissioned the construction of Al-Mustansiriyya madrasa in the capital city of Baghdad named in his honour. Construction lasted for six years and the school opened in 1234 CE. It was one of the oldest madrasas in the world. Al-Mustansiriyah Madrassa stands as a testament to Iraq’s resilience and endurance over the centuries and demonstrates that barbarism and terrorism of any kind, at any period, cannot prevail over culture and knowledge.
Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture. Winged genii are usually bearded male figures sporting birds’ wings. The genie symbolised both protection and fertility — its role was to safeguard and replenish the ancient kingdom of Assyria.