The Warka Vase, a.k.a. the Uruk Vase, a carved alabaster stone vessel, is one of the earliest surviving works of narrative relief sculpture. It was found in the temple complex of the Sumerian goddess Inanna in the ruins of the ancient city of Uruk, located in southern Iraq.
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There was a section of the facade of the temple of Inanna at Uruk. A wall of baked bricks with buttresses and recesses. This wall was a section of the front facade the temple of the goddess Inanna in Warka, which was built by Karaindash, the Kassite king (1445-1427 BCE) and replaced the wall of mosaic which decorated the facade of the temple Warka since the Jamdat Nasir period.
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Kolkata, the City of Joy, is known for its cultural significance. The 350-year old metropolis boasts of a rich heritage and several popular landmarks that exude a distinct charm. As the sun sets, painting an evening sky with a hundred shades of red and orange, the cruise sails through the Hooghly river.
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I have started writing a fictional story. This is the first part of it. The other parts will follow as I write each part. I haven’t finalised the title and may decide later as the story develops. You are welcome to suggest a title in the comments below, along with your views. Your views may help me in writing the story.
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Kolkata’s Durga Puja is India’s official nomination for the 2020 edition of the UNESCO’s Intangible Cultural Heritage list. Durga Puja is not only a religious festival, it is the most significant socio-cultural event in Bengal. Though predominantly originated in the Hindu ritual and legends, the Durga Puja celebration cross cuts the communal divide in many of its attributes. It is an epitome of harmony across caste, class, creed and religion.
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Recently, I attended an Iftar party at a luxury hotel in Baghdad. After I finished the food, I found a nice, sweet dessert there, called Om Ali — a simple concoction: bread and pastry are combined with raisins, pistachios, coconut and almonds, then drenched in sweetened milk. It’s not the story of a royal chef preparing an innovative dish at the behest of a discerning king, but of a murder and a rather cruel one!
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Humour is the foundation of a cartoon and it is its limitation. Attempts to rationalise humour in terms of today’s utilitarian social structure probably explain why political cartooning, and the genre of cartooning as a whole is a dying art. In a fast-paced environment such as the internet, memes emerged as a one-dimensional satirical illustration; they don’t engage with the issue and, therefore, their moral message and practical impact are limited.
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